CASE STUDY
LEADERSHIP / PRODUCTION
TRIAD PARTNERS
Triad is a business development company serving some of the top independent financial advisors in the country. In my role within the House of Brands, I lead videographers, photographers, designers, and social media managers to build the brand and embody the living company motto of "Do Business. Do Life."
CLIENT
Triad Partners
ROLE
TYPE
EXPERIENCE / EVENT
DELIVERABLES
OPENER FILM · STAGE CONTENT · SOCIAL
CASE STUDY
LEADERSHIP / PRODUCTION
TRIAD PARTNERS
Triad is a business development company serving some of the top independent financial advisors in the country. In my role within the House of Brands, I lead videographers, photographers, designers, and social media managers to build the brand and embody the living company motto of "Do Business. Do Life."
CASE STUDY
LEADERSHIP / PRODUCTION
TRIAD PARTNERS
Triad is a business development company serving some of the top independent financial advisors in the country. In my role within the House of Brands, I lead videographers, photographers, designers, and social media managers to build the brand and embody the living company motto of "Do Business. Do Life."
CLIENT
Triad Partners
ROLE
FULL TIME STAFF / CREATIVE DIRECTION
TYPE
PRODUCTION / MEDIA / EXPERIENCES
DELIVERABLES
OPERATIONS / VIDEO / PHOTOGRAPHY / DESIGN
CLIENT
Triad Partners
ROLE
FULL TIME STAFF / CREATIVE DIRECTION
TYPE
PRODUCTION / MEDIA / EXPERIENCES
DELIVERABLES
OPERATIONS / VIDEO / PHOTOGRAPHY / DESIGN
CLIENT
Triad Partners
ROLE
FULL TIME STAFF / CREATIVE DIRECTION
TYPE
PRODUCTION / MEDIA / EXPERIENCES
DELIVERABLES
OPERATIONS / VIDEO / PHOTOGRAPHY / DESIGN
(01) THE BRIEF
Lead paragraph — the brief, the constraint, the idea. Two or three sentences that set up the story of the project.
Supporting writeup. What the client needed, what the audience needed, and the creative decision that bridged the two. Keep it honest and specific — process, not adjectives.
(01) THE BRIEF
Lead paragraph — the brief, the constraint, the idea. Two or three sentences that set up the story of the project.
Supporting writeup. What the client needed, what the audience needed, and the creative decision that bridged the two. Keep it honest and specific — process, not adjectives.
(01) THE BRIEF
Lead paragraph — the brief, the constraint, the idea. Two or three sentences that set up the story of the project.
Supporting writeup. What the client needed, what the audience needed, and the creative decision that bridged the two. Keep it honest and specific — process, not adjectives.
FIG. 01 — OPTIONAL CAPTION
FIG. 01 — OPTIONAL CAPTION
FIG. 01 — OPTIONAL CAPTION
PULL QUOTE / KEY IDEA
"A single line from the client, the director's note, or the idea that carried the whole project."
PULL QUOTE / KEY IDEA
"A single line from the client, the director's note, or the idea that carried the whole project."
PULL QUOTE / KEY IDEA
"A single line from the client, the director's note, or the idea that carried the whole project."
(02) EXECUTION
Process notes — on-set decisions, how the edit found its structure, what got cut and why.
(02) EXECUTION
Process notes — on-set decisions, how the edit found its structure, what got cut and why.
(02) EXECUTION
Process notes — on-set decisions, how the edit found its structure, what got cut and why.
(03) OUTCOME
Closing paragraph — what shipped, where it ran, and what it did for the client.
CREDITS
DIRECTOR — IGOR KASYANYUK · DP — NAME · EDIT — NAME · COLOR — NAME · SOUND — NAME
(03) OUTCOME
Closing paragraph — what shipped, where it ran, and what it did for the client.
CREDITS
DIRECTOR — IGOR KASYANYUK · DP — NAME · EDIT — NAME · COLOR — NAME · SOUND — NAME
(03) OUTCOME
Closing paragraph — what shipped, where it ran, and what it did for the client.
CREDITS
DIRECTOR — IGOR KASYANYUK · DP — NAME · EDIT — NAME · COLOR — NAME · SOUND — NAME